Spring 1994. The Cannes Film Festival welcomes Krzysztof Kieślowski once again, as he presents Red, the final film of his acclaimed trilogy: Blue, White, Red.During the press conference, he announces his intention to retire from filmmaking.Who is this talented, modest, and enigmatic filmmaker and documentarian, celebrated worldwide, who wrote and directed 17 films in 10 years, alongside an equal number of documentaries?What vision of the world and of the individual emerges from his work and continues to resonate today?
